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Diminished seventh chord : ウィキペディア英語版
Diminished seventh chord

The diminished seventh chord is commonly used in the harmony of both Western classical music and also in jazz and popular music of the twentieth and twenty-first centuries. Classical composers of the eighteenth and nineteenth centuries imaginatively exploited the chord's dramatic and expressive potential. (See below).
==Definition==
A diminished seventh chord is a four note chord that comprises a diminished triad plus the interval of a diminished seventh (alternatively regarded enharmonically as a major sixth) above the root. Thus it is (1, 3, 5, 7), or enharmonically (1, 3, 5, 6), of any minor scale; for example, C diminished-seventh would be (C, E, G, B), or enharmonically (C, E, G, A). It occurs as a leading-tone seventh chord in harmonic minor and can be represented by the integer notation .
Because of this it can also be viewed as four notes all stacked in intervals of a minor third. The diminished seventh contains two diminished fifths, which often resolve inwards.〔Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.219. Seventh Edition. ISBN 978-0-07-294262-0.〕
In most sheet music books, Cdim or C° denotes a diminished seventh chord with root C; but it may also happen, mostly in modern jazz books and some music theory literature, that Cdim or C° or Cm(♭5) denotes a diminished triad, while Cdim7 or C°7 or Cm6(♭5) denotes a diminished seventh chord.

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